The Sosnowski Synthesizer |
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The Sosnowski Synthesizer is
organized in five "rows" from top to bottom. This section covers the fourth row, which contains the
main envelope, chorus effect, reverb effect, echo effect, and optional transposition. This
is the final section in the creation of sound, where the sound is shaped by the main
envelope; and given presence, depth and character with the effects. The output may
also be transposed, if desired. |
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The Main Envelope |
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The main envelope is one of the most important elements for the shaping of
sound. While sounds can be and often are created without the use of the main envelope, in
the majority of cases the main envelope will be used. The main envelope can be turned
on and off with the button switch at its upper left. The controls in the main envelope
are as follows: . .
. |
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Chorus Effect |
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The stereo chorus effect is a standard chorus with rate, depth, phase and mix
controls. Rate sets the speed of the chorus oscillator. Depth sets its
amplitude. Phase sets the relationship between the stereo channels. Mix sets how
much of the original signal and how much of the chorus signal are passed to the final stage
(that is, if the mix knob is fully counter-clockwise, only the original signal is
passed; at 12 o'clock, equal parts of the original and effect signal are passed; and fully
clockwise, the signal would be completely that coming through the effect). The effect can be
turned on or off with the button switch at its upper left. . . . |
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Reverb Effect . . . |
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The reverb effect is a standard reverb with size, width, damp (damping) and
mix controls. Size simulates room size (turning the knob clockwise increases size, and
thus creates longer reverberation). Width sets the width of the stereo field.
Damp (damping) damps higher frequencies to aid in controlling ringing and harshness
(clockwise rotation increases damping). Mix sets how much of the original signal and
how much of the reverb signal are passed to the final stage (that is, if the mix knob
is fully counter-clockwise, only the original signal is passed; at 12 o'clock, equal parts
of the original and effect signal are passed; and fully clockwise, the signal would be
completely that coming through the effect). The effect can be turned on or off with
the button switch at its upper left. .. . . |
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Echo Effect . . . |
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The echo effect is a stereo "ponger" echo (each echo iteration
switches from one channel to the other). The echo effect has three controls: delay,
feed (feedback), and mix. Delay sets how long the time span between each echo
iteration is. Feed (feedback) sets the feedback level (effectively, how long it takes
for the echo iterations to fade away). Mix sets how much of the original signal and
how much of the echo signal are passed to the final stage (that is, if the mix knob is
fully counter-clockwise, only the original signal is passed; at 12 o'clock, equal parts of
the original and effect signal are passed; and fully clockwise, the signal would be
completely that coming through the effect). The effect can be turned on or off with the
button switch at its upper left. . . . |
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PanX Effect . . . |
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The pan/x (PanX) effect is a custom effect, a dual-rate auto-panner.
Used skillfully, it can impart a subtle life and sense of space to a sound; and used more
aggressively, it can be quite striking in the creation of spatial effects.
The pan/x effect has four controls: width, rate1, rate2, and mix. Width sets how
broadly it will pan across the stereo field (clockwise rotation increases the width).
The rate1 and rate2 knobs set the speeds of the panning; with each rate independent of the
other, they create an additive effect that is the sum of the two waveforms of the different
rates. Mix sets how much of the original signal and how much of the pan/x signal are
passed to the final stage (that is, if the mix knob is fully counter-clockwise, only
the original signal is passed; at 12 o'clock, equal parts of the original and effect signal
are passed; and fully clockwise, the signal would be completely that coming through the
effect). The effect can be turned on or off with the button switch at its upper left. |
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Transpose . . . |
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The transpose section enables you to transpose the entire sound output +/-
three octaves and +/- eleven semitones. A fine tuning knob (labeled "fine") can
adjust pitch +/- one semitone. Transpose can be turned on or off with the button switch at
its upper left, or with the clickable label above the onboard keyboard. . . .. |
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<- Row 3 :: Row 5 -> |